12.10.19 at 5pm Opening LINSIEME by Amina Barosi

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Solo exhibition by Amina Barosi

Saturday 12 October at 5pm Opening

[exhibition from 12.10 to 12.11]

LINSIEME is a video installation based on the artist’s latest years of research, sealing an initial enquiry into the dimension of human beings made up of body, soul and spirit. Inseparable materials that go hand in hand but with different destinations. An anthropological work, to frame the original mapping of human beings.

A journey towards the roots of our essence, to rediscover the balance that was once lost. Milestones that challenge common places to find a new positioning.

For Amina Barosi, this exhibition marks a defining moment in her artistic journey, based on personal experiences and acting as a springboard for research into contemporary dialogues.

Amina Barosi is part of the SVA collective and like every member of this group, her artworks feature a Bible Code: a biblical principle which acts as both foundation and thread during the creative process.

On display at the Open Art House gallery, there are four site specific video installations to be enjoyed in different locations with headphones: an intimate dialogue with the Artist.

During the Contemporary Day organized by A.M.A.C.I, Amina Barosi’s exhibition will inaugurate this part of OAH’s recurring exhibition season.

During the inauguration ‘Heart of an Orphan’ by/with Carmen Tedeschi, part of the S139 ensemble, will be performed.


Cenni biografici su Amina Barosi

Following a stay in the Arab States, she becomes acquaintedwith the expressive styles of the East, then moves to California, and completes her studies at the Liceo Artistico Hayech in Milan. Enrolled at the

Politecnico of Milan, in the Architecture Faculty, she simultaneously follows evening classes at the Accademia of Belle Arti of Brera.Avendo fatto parte di svariati gruppi d’artisti, ha potuto presenziare in molte occasioni espositive e attraversare diverse esperienze nella propria produzione artistica: dalla pittura ad olio materica alla scultura, dalla fotografia rielaborata al concettuale, e dalla figura come cosmogonia soggettiva con figure morbide in accattivanti prospettive al disegno a china, fino all’assemblage, al design con depositi personali di diversi brevetti e marchi.

She defines herself as being in constant development as she considers this to be the best attitude to rejuvenate the spirit and nourish life seeking not a final result but experiencing the action of the moment as a precious opportunity to raise one’s spirit. The hand produces a condition of the heart on the canvas, not by covering it with colour, but by trying to dig a way out of it, a window to Heaven, leaving traces of light for the beholder and looking for The Way that Jesus Christ spoke of while referring to himself as the Truth and the Fullness of Life.

2019 Madre Terra”, selezionata con il terzo premio di fotografia per il concorso d’arte

contemporanea a cura di Mario Marasà, Salone Consiliare Carmignano, piazza Vittorio Emanuele II n.3, Carmignano (Pistoia) from 17.03. to 14.04.

Animus et Anima” , concorso espositivo a cura di Gina Affinito nel Complesso San

Severo al Pendino, Via Duomo, Napoli dal 23 Febbraio al 6 Marzo

2018 “dalla Venere alle Veneri 2018”-3°Premio di Arte Contemporanea

Museo di Genga Arte Storia e Territorio (Ancona) da Luglio ad Ottobre

2017 Fabbrica dell’Esperienza, Milano,gruppo S.V.A.

2015 “IN THE PRESENCE OF GOD” Ivrea OAH open house gallery collective show with S.V.A.

2015 “IN THE PRESENCE OF GOD” Milan, spazio SabaothTheatre,

SVA group manifesto show The Language of Heaven”,

2014 “AGAINST FALSIFICATION” Milan Fuori Salone, spazio SabaothTheatre collective show with S.V.A

2012 ” EXCEPT ONE”–Foglizzo (Torino) Castello dei Biandrate – previeuw – collective show with S.V.A

2012“INTO THE F(L)AVOUR” Milan Fuori Salone, Sabaoth Theatre collective show withS.V.A.

2011“TAUMATART” Locarno, Casa Balli collective show

2010 Palermo, at the gallery Galleria ”Il Tempio”. Concorso Premio New York

2009 Prague, Gallery Chodovska tvrz.

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